Experimental rock trio Yoo Doo Right (Montréal, CA) wed noisy, melodic guitar parts, effects-laden synthesizer soundscapes, deep bass grooves and patented percussive furies into sprawling, cathartic musical pieces. Drawing inspiration from post-rock, krautrock, shoegaze, classical music, electroacoustics, and musique concrète, they create a unique sound where “towering monoliths of roaring riffs crash against swarms of restless rhythms” (Pop Matters). Since 2016, they have released two full-lengths (Don’t Think You Can Escape Your Purpose, A Murmur, Boundless to the East), three EPs (Nobody Panicked and Everybody Got On, EP2, The Sacred Fuck EP), and a few singles, including a 7” split with Acid Mothers Temple, whilst touring extensively in Canada, the United and Europe. Along the way, they have performed at notorious events such as SXSW, Levitation, Dunk! Fest, Sled Island, Treefort Music Fest, and M for Montreal, also opening for the likes of Acid Mothers Temple, DIIV, A Place to Bury Strangers, Wooden Shjips, Kikagaku Moyo, FACS, and Jessica. Scheduled for November 8th, 2024 via Mothland, From the Heights of Our Pastureland is yet another solemn if defiant entry in Yoo Doo Right’s rich music catalogue, an honest and patient sonic poem about the destructive process of unbridled expansion in the name of "progress", the inevitable collapse and what it means to rebuild.
Ky is the new “solo” project of Ky Brooks, best known as vocalist and lyricist of noise-punk trio Lungbutter and a slew of other Montréal-based out-music projects like 8-person queer punk band Femmaggots and experimental/improv trio Nag. Their 2023 debut, Power Is The Pharmacy, is an album of cerebral and visceral outsider artpunk “mainly about grief, death, the fear of loss, losing dreams, losing youth, people, public space, ultimately oneself”—an emotionally electrifying, genre-spanning collection of songs fuelled by Ky’s piercing poetry, both spoken and sung, that delivers an acute blend of incisive socio-political observation and spiritual sadness, swirling through vortices of disenchantment and re-enchantment.
Doors 7pm/show 8pm
all ages
Advance $15/Door $20
Accessibility
Haven Music Hall is a street-level small music venue without fixed seating. This show is combination standing and seating room only. Our entrance exterior is a 34" wide door that has a small lip/step up from the street. Once inside, our entrance vestibule has three steps up into the space with an interior entrance opening of 70". We have two single-use washrooms with toilets. If you'd like more information about accessing our space please email abigail@havenmusichall.com.
All Ages Show Details
This is a wet/dry show, meaning both alcoholic and non alcoholic drinks are served. All patrons will be ID'd upon entry and given a coloured bracelet corresponding with their ticket type (19+ or -19). Bartenders will also be checking IDs at the bar. During all ages shows we are careful not to serve multiple drinks to one person, so if you're buying your 19+ friend a beer please bring them to the bar to order with you! All ages are welcome but only 19+ patrons with ID's may purchase alcohol. Patrons aged 15 and under must be accompanied by a guardian.
Safer Spaces Policy/Code of Conduct
Haven Music Hall (HMH) is committed to ensuring a safer show experience for musicians, audiences, staff, and volunteers. If you see or experience any form of harassment or abuse please inform the bar staff on site. If you experience harassment or abuse and wish to inform us after the fact please email abigail@havenmusichall.com. This email is read by the HMH owners only and any reports of safety violations will be treated as confidential. Incidents that are reported in real time are written up by the handling staff member and are confidential and kept on file. Abuse and harassment of an audience member, musician, HMH staff, security, or volunteers will result in immediate ejection from the premises, potential probationary period, and potential banning from the premises. As event coordinators we prioritize the experiences of the musicians, staff, and audience members, so patrons who are being disruptive to the performance or bothering staff will be asked to stop their disruptive actions, and may/or be asked to leave the premises.